By the way - I hope my post yesterday didn't come off as bitter. I'm really not. It's just part of the whole frustration inherent in the film business. It's just the struggle - you know? (which is a joke from a great film festival I went to (in any case - I get it.))
ANYWAY - there was a blurb in yesterday's Variety (actually it was from Wednesday's issue) about David Lynch shooting a movie on DV under the radar for the last two years. He's funding it himself and working with family and friends. Hmmm - that sounds awfully familiar. If it hadn't been going on for so long I would swear he was ripping me off. I haven't always been the biggest Lynch fan - but I have LOVED some of his stuff and think he's a talented filmmaker. It's really comforting to see that he's finally come down to my level. Go David!!! Of course he has a few slightly bigger names in front of his camera than I do - but I'm sure that situation will change.
It's funny because with the way DV cameras appear on the market - new ones quickly making old ones obsolete (or at least seem that way) I wonder how one works on a film for two years with the same camera. I mean I own a DVX100 (first generation) and I'm starting to feel like I don't have the "it" camera anymore. Which, of course, in terms of what is "it" I don't - but it's still a great camera.